![]() ![]() The next step is to weave in the relevant and necessary expositions into your story. If it doesn't, then such exposition is irrelevant or unnecessary in the story. Here is a tool to help you: My Five-Question Guide on Exposition:ĭoes it make the story easy to visualize?ĭoes it drive forward the plot or drive the plot in a new direction?ĭoes it deepen your character's personality?Īnd last, does it make the story believable?Įvery information doled out in your story must answer at least one of these questions-be it information revealing the setting, character, or backstory. This is a necessary step because when writing a story, you have to ensure you have in just the right amount of information to ensure a good reading experience for your readers. ![]() The first challenge in crafting exposition is to weed out irrelevant and unnecessary expository contents. So in this article, I will be presenting a guide on how best to weave in exposition into your story without obstructing the story flow, bogging it down, or giving away too much at any point in your story. ![]() However, expository content could also get easily overused, and this is one problem beginner writers are prone to run into early on in their novels. Anytime a writer describes the setting or characters or delves into the past to reveal a backstory, an expository content can be said to have been dropped into a story.Įxposition is a vital component of storytelling and, of course, the reason that comes to mind is that all narrated prose begins at medias res-a novel presents only a section of a protagonist's life so to make readers understand it, you need to bring in those vital expository contents. Exposition simply means the act of revealing information. ![]()
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